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Öğe DIALECTICAL METHOD IN ALI SHARIATI: HUMAN, SOCIETY AND PHILOSOPHY OF HISTORY(Ilahiyat Bilimleri Arastirma Vakfi, 2023) Tekin, Ferhat; Karaarslan, FarukIranian intellectual Ali Shariati has taken the dialectical approach as a basis in most of the issues he tried to solve. When we look at the studies on Shariati, it is seen that there are no studies that directly address his dialectical understanding. Therefore, this study focuses on Shariati's dialectical understanding in order to make a contribution towards filling this gap in the literature. In the text, first of all, what the dialectical method is and how the main thinkers (Hegel, Marx, Sartre, Gurvitch, etc.) who had an impact on Shariati's dialectic approach, handled the dialectic. Then, how the human, society and philosophy of history, which are the three main issues that come to the fore in Shariati's social philosophy, is discussed dialectically. What the dialectic means for Shari'ati; it will be emphasized why the dialectical approach is important in his approach to human, society and philosophy of history. Likewise, in which aspects did Shariati apply the dialectical perspective and in which cases the dualistic perspective? Therefore, in order to answer these questions, Shariati's works, which he analyzed within the framework of dialectics, were determined, examined and interpreted. In this context, the document/literature review method was used in the study. In this study, first of all, what the dialectical method is and how the main thinkers (Hegel, Marx, Sartre, Gurvitch, etc.) who had an impact on Shariati's understanding of dialectic approached the dialectic were examined. Then, how the human, society and philosophy of history, which are the three main issues that come to the fore in Shariati's social philosophy, is discussed dialectically. Finally, a general evaluation and discussion is given.Öğe Peter L. Bergerin yabancılaşma anlayışı: Diyalektik bilincin kaybı(2014) Tekin, FerhatBu makale Peter L. Bergerin yabancılaşma anlayışına odaklanmaktadır. Bergerin yabancılaşma anlayışı, onun temel sosyolojik yaklaşımı olan fenomenolojik sosyolojiyle yakından ilgilidir. Bu bakımdan yabancılaşmaya dair görüşleri bu konuyla ilgilenmiş olan birçok sosyologunkinden farklı bir niteliğe sahiptir. Bergere göre yabancılaşma, insanın toplumsallığında verilidir, yani antropolojik açıdan kaçınılmazdır. Bir başka deyişle yabancılaşma, birey ile onun dünyası arasındaki diyalektik ilişkinin bilinçte kaybolduğu bir süreçtir. Çünkü birey, sosyal gerçekliğin kendisi tarafından ortaklaşaüretilmesi ve sürdürülmesi gerektiğini unutur. Dolayısıyla yabancılaşan bilinç diyalektik olmayan bir bilinçtir. Berger, insan ile sosyokültürel dünya arasındaki doğru ilişkinin bilinçte altüst olduğunu ve aktörün sırf kendisine etki edilen bir nesne haline geldiğini, üretenin ise sadece bir ürün olarak algılandığını vurgular. Ona göre yabancılaşmadan kurtulmanın yolu yabancılaşmaya yol açan sosyokültürel dünyanın doğal bir olgu olmaktan çıkarılarak onun, insanın kendi aktivitesinin ürünü olduğunu hatırlamak suretiyle yeniden uyumu sağlamaktır.Öğe S?n?r Sosyolojisi Perspektifinden Theo Angelopoulos'un S?n?r Uclemesi(Ilem, 2023) Tekin, FerhatIn this study, the films of Greek director Theo Angelopoulos, known as the border trilogy, The Suspended Step of the Stork (1991), Ulysses' Gaze (1995) Eternity and a Day (1998), are discussed in the context of border sociology. Although many of his other films have been the subject of various academic studies, it has been observed that these films have not been studied in the context of sociology, especially border sociology. Especially today, the fact that borders, migration and refugees are increasingly encountered requires focusing on the border trilogy. In the study, the main themes in the trilogy were determined by considering the literature of border sociology. In this framework, many themes, from kinship communities divided by modern borders, to forms of border violence, from the living conditions of refugees to the perspective of host societies, have been identified and interpreted in the context of the relevant literature. As a result, in the border trilogy, we see how borders are tools of injustice, violence, exclusion, nationalist hatred and obstacles to living together. Therefore, we can say that Angelopoulos does not look at the border, the refugee and the foreigner from a nation-state or nation-community perspective.Öğe S?n?r Sosyolojisi Perspektifinden Theo Angelopoulos'un S?n?r Uclemesi(Ilem, 2023) Tekin, FerhatIn this study, the films of Greek director Theo Angelopoulos, known as the border trilogy, The Suspended Step of the Stork (1991), Ulysses' Gaze (1995) Eternity and a Day (1998), are discussed in the context of border sociology. Although many of his other films have been the subject of various academic studies, it has been observed that these films have not been studied in the context of sociology, especially border sociology. Especially today, the fact that borders, migration and refugees are increasingly encountered requires focusing on the border trilogy. In the study, the main themes in the trilogy were determined by considering the literature of border sociology. In this framework, many themes, from kinship communities divided by modern borders, to forms of border violence, from the living conditions of refugees to the perspective of host societies, have been identified and interpreted in the context of the relevant literature. As a result, in the border trilogy, we see how borders are tools of injustice, violence, exclusion, nationalist hatred and obstacles to living together. Therefore, we can say that Angelopoulos does not look at the border, the refugee and the foreigner from a nation-state or nation-community perspective.
