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Öğe Analysis of Dwelling Patterns Using Cultural Codes; The Case of Konya(Gazi Univ, 2014) Uysal, Mehmet; Semerci, FatihSpaces, present some clues about lifestyles within the framework of culture and space relationship, might be used for transferring cultural values to next generations. Dwellings in which most part of daily life is spent as a unit of a settlement provide us significant data concerning social changes and cultural history. In this study, Konya province, as an important centre in Anatolia due to its geographical location and historical presence, has been chosen as research area. The aim of the study is to detect the cultural codes, formed the lifestyle of the period between 19th and 21th centuries, and through an analysis of the cultural changes occurred in the dwellings. Four Konya dwellings reflecting the features of the period have been selected. The analysis was performed over these samples using cultural codes. As a first step, cultural behaviour patterns that reflect the lifestyles of the period were studied and cultural codes containing iconic graphic expressions were determined and a culture guide was prepared using these codes. Secondly, spatial analyses based on cultural codes were conducted on the selected dwellings and cultural function diagrams were prepared. Dwelling structures changings related with lifestyle/cultural structure were presented. As results of the analyses, the cultural codes of the sample dwellings were evaluated and it is observed that the courtyard and life activities in courtyard were lost in traditional Konya dwellings through historical process. Life in courtyard was converted to a limited garden life and then completely lost with closed spaces. This changing mark is one of the major differences between traditional and contemporary Konya dwellings. Besides, it is observed that some cultural values have been preserved intact until present, while some values have been survived with changes and others were completely lost.Öğe A (FORGOTTEN) VERNACULAR FROM ANATOLIAN VILLAGES: GUESTROOMS IN SIVAS/TURKEY(Estonian Literary Museum, 2014) Tuztasi, Ugur; Uysal, Mehmet; Akdeniz, FatihThis study aims to introduce a deep-rooted and essential component of authentic folk architecture typology in Anatolia, namely guestrooms/village rooms. The main aim of the study is to analyse traditional lifestyle and architectural structures under the effect of traditional rural lifestyle over a particular sampling area. The social functions of these buildings are limited not merely to housing guests, but also involve rather complex and joint spatial functions, such as providing room for public ceremonies, including weddings and funerals. However, it has been proven during the study process that these buildings, which are on the verge of disappearance, are generally not used for their intended purpose. It is also argued that although the social functions of these buildings are similar, they have their peculiarities in spatial arrangement. To this end, the authors undertook a detailed study of the researches concerning traditional Turkish houses and evaluated, both synchronically and diachronically, the architectural relationship and interactions of the sampled guestroom with the neighbouring dwelling culture. Moreover, other than the literature review, in situ research was conducted at the sample sites in call]. village, Sivas province, and the social facilities and spatial features of these buildings were analysed. Field studies, interview and observation methods were used during the research. Furthermore, the plan and front elevation reliefs of one of the studied buildings were drawn. The similarities of the sitting plan and spatial structure, both in function and organisation, with divanhane (audience/council hall) and basoda (head room) of Anatolian Turkish houses were discussed over the deductions related to the spatial plan that was created using the aforementioned reliefs. Also, the possible extensions of Central Asian spatial tradition were interrogated and joint architectural details of Turkic spaces of entertainment and housing guests were scrutinised. Moreover, typological concordances were investigated after architectural and decorative interactions had been determined. In short, the cultural and spatial components of guesthouses were studied with a view to contribute to local and international sustainability of such buildings, which symbolise the productivity of rural lifestyle, to provide room for these in the architectural literature.Öğe Türk Halk Kültürünün Yerel Mimari Mirası “Arı Serenleri”(2014) Uysal, Mehmet; Arat, YavuzTarım, insanoğlunun yerleşik hayata geçiş sürecini başlatan en önemli unsurdur. İnsanoğlu yiyecek ihtiyacını doğadan toplayarak karşıladığı dönemde, bal arısının doğal yuvalarından bal almayı öğrenmiştir. Anadoluda Boğazköy kazıları, MÖ 1300 yıllarında Hititler devrinde arıcılığın önemli bir zirai faaliyet olduğunu göstermiştir. Türklerde göçebelik sürecinde arı ve arı ürünlerinin kullanıldığı, ilaç ve şifalı besin kabul edildiği bilinmektedir. Bal arıları için yapılan barınakların esas amacı doğal etkilerden ve hayvan zararlarından ko- runmak içindir. Araştırma konusu olan arı serenleri yerel mimari öğe olarak özgün bir biçimlenişiyle Antalya İli, Elmalı İlçesi, Söğle Bölgesinde bulunmaktadır. Bu örnekler dışında Anadoluda benzer mimari biçimleniş- ler Torosların bazı bölgelerinde görülmektedir. Arı serenlerinin mimari biçimlenişi birçok araştırmada antik unsurlara (Likya mezar anıtları) dayandırılsa da; biçimsel benzerlik üzerinden kurgulanan bu durumun pek de gerçekçi olmadığı görülmektedir. Araştırmamızda biçimsel, yerel ve sözel kaynaklara dayanarak daha önce literatürde yer almayan mimari belgeleme çalışmalarının yapılması amaçlanmıştır. Bu kapsamda daha önceki çalışmalarda yer alan biçimsel benzerlik tespitinin doğru olmadığı ve bu biçimlenişin yerel kültürün mimari bir unsuru olduğunu vurgulamak araştırmanın hedeflerindendir. Kurgulanan yöntemde; literatüre ilişkin bilgi ve belge toplama süreci gerçekleştirilmiş, etimolojik açıdan seren kelimesine ilişkin bilgiler toplanmış ve değer- lendirilmiş, daha sonra çalışma alanına gidilerek arı serenlerine ilişkin belgeleme çalışmaları (görüşme, rölöve ve fotoğraf) yapılmış ve mimari biçimleniş bu veriler ışığında değerlendirilmiştir. Araştırmamız sonucunda arı sereni mimari biçimlenişinin ihtiyaçları karşılamak için yere özgü olarak ortaya çıktığı, Likya mezar anıtlarına benzerliğin objektif bilimsel temellere dayandırılmadığı tespiti yapılmıştır. Ayrıca arı sereni yapım geleneğinin 1960lı yıllarda bittiği bu işle uğraşan yapı ustalarının kalmadığı görülmüştür. Günümüzde kullanılan bir arı sereni dışında diğerlerinin hem biçimsel hem de fonksiyonel olarak yok olmaya yüz tuttuğu tespit edilmiş ve yerel halk kültürüne ait bu mimari biçimlenişin korunması gerekliliği ortaya koyulmuştur.