Türk mitolojisindeki hayvan figürlerinin çağdaş Türk resim sanatına yansıması
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Dosyalar
Tarih
2022
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Necmettin Erbakan Üniversitesi Sosyal Bilimler Enstitüsü
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Mitler, insanoğlunun eski çağlardan itibaren içinde bulunduğu dünyaya dair olayları ve olguları anlamlandırmak, çeşitli sebeplere bağlayabilmek için ortaya koydukları anlatılardır. Bu anlatılar, toplumların kültürel belleği niteliğinde olup, nesilden nesile katarımı önem arz etmektedir. Bu aktarımda ise sanat dalları ciddi role sahiptir. Geçmişte kaya resimleri, çeşitli dokumalar, kabartmalar ve mimari yapılarla günümüze kadar ulaşan mitolojik kültür ögeleri günümüzde heykel, resim, mimari başta olmak üzere pek çok alanda yaşatılmaktadır. Bilhassa Cumhuriyet'in ilanından sonra sanatın halk tabanına inmesi, kültürel değerlerin ve geleneklerin yaşatılması, gelecek nesillere tanıtılması bakımından mitolojik anlatılar resim sanatımız içerisinde yer edinmeye başlamıştır. Orta Asya Türklerinin atlı-göçebe yaşamı, hayvancılıkla uğraşması, Şamanizm'de hayvansal ögelere sıklıkla rastlanması mitolojik anlatılarda hayvansal sembollerin ön plana çıkmasına neden olmuştur. Nitekim şaman davullarında, kaya resimlerinde, çeşitli dokumalarda hayvan figürlerine rastlamak mümkündür. Bu semboller Türk resim sanatı içerisinde minyatürlerle başlayarak günümüze kadar gelmeyi başarmıştır. 1950 sonrası çağdaş Türk resim sanatı içerisinde ise gittikçe artan bir ivme ile yer almaya devam etmektedir. Türk mitolojisindeki hayvan sembollerinin çağdaş Türk resim sanatına yansıması üzerine yapılan bu çalışmada, önemli çağdaş Türk ressamlarının eserlerinde kullandıkları hayvan sembolleri incelenerek değerlendirmelerde bulunulmuştur. Genel olarak eserlerde hayvan sembollerinin Türk mitolojisindeki anlamlarına uygun olarak işlendiği görülürken kimi zaman sanatçının hayal dünyasına bağlı olarak eser kompozisyonunda farklı anlamlar taşıdığı da görülmüştür. Diğer taraftan kültürel ve geleneksel aktarım açısından ve Türk mitolojisine genç kuşakların yabancılaşmaması açısından ortaya koyulan eserlerin yararlı olduğu anlaşılmıştır.
Myths are narratives that people have come up with in order to make sense of the events and facts about the world in which they have been living since ancient times, to be able to connect by them to various causes. These narratives are the cultural memory of societies and their transmission from generation to generation is important. In this transfer, the branches of art have a serious role. Mythological cultural elements that have survived to the present day with rock paintings, various weavings, reliefs and architectural structures in the past are preserved in many fields today, especially sculpture, painting and architecture. Especially after the proclamation of the Republic, mythological narratives began to take place in our art of painting in terms of bringing art down to the popular base, preserving cultural values and traditions, and introducing them to future generations. The equestrian-nomadic life of the Turks of Central Asia, their involvement in animal husbandry, and the frequent occurrence of animal elements in Shamanism have led to the prominence of animal symbols in mythological narratives. As a matter of fact, it is possible to come across animal figures in shamanic drums, rock paintings, various weavings. These symbols have managed to come to the present day starting with miniatures in Turkish painting art. after 1950, it continues to take place with an increasing momentum in contemporary Turkish painting art. In this study on the reflection of animal symbols in Turkish mythology in contemporary Turkish painting art, animal symbols used by important contemporary Turkish painters were examined and evaluated. In general, it has been seen that animal symbols are processed in accordance with their meanings in Turkish mythology in works, while sometimes it has also been seen that they have different meanings in the composition of works depending on the artist's imagination. On the other hand, it was understood that the works presented were useful from the point of view of cultural and traditional transmission and from the point of view of not alienating the younger generations from Turkish mythology.
Myths are narratives that people have come up with in order to make sense of the events and facts about the world in which they have been living since ancient times, to be able to connect by them to various causes. These narratives are the cultural memory of societies and their transmission from generation to generation is important. In this transfer, the branches of art have a serious role. Mythological cultural elements that have survived to the present day with rock paintings, various weavings, reliefs and architectural structures in the past are preserved in many fields today, especially sculpture, painting and architecture. Especially after the proclamation of the Republic, mythological narratives began to take place in our art of painting in terms of bringing art down to the popular base, preserving cultural values and traditions, and introducing them to future generations. The equestrian-nomadic life of the Turks of Central Asia, their involvement in animal husbandry, and the frequent occurrence of animal elements in Shamanism have led to the prominence of animal symbols in mythological narratives. As a matter of fact, it is possible to come across animal figures in shamanic drums, rock paintings, various weavings. These symbols have managed to come to the present day starting with miniatures in Turkish painting art. after 1950, it continues to take place with an increasing momentum in contemporary Turkish painting art. In this study on the reflection of animal symbols in Turkish mythology in contemporary Turkish painting art, animal symbols used by important contemporary Turkish painters were examined and evaluated. In general, it has been seen that animal symbols are processed in accordance with their meanings in Turkish mythology in works, while sometimes it has also been seen that they have different meanings in the composition of works depending on the artist's imagination. On the other hand, it was understood that the works presented were useful from the point of view of cultural and traditional transmission and from the point of view of not alienating the younger generations from Turkish mythology.
Açıklama
Yüksek Lisans Tezi
Anahtar Kelimeler
Resim Sanatı, Çağdaş Resim Sanatı, Türk Mitolojisi, Hayvan Sembolizmi, Painting Art, Contemporary Painting Art, Turkish Mythology, Animal Symbolism
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
Künye
Akpınar, M. (2022). Reflection of animal figures in Turkish mythology on contemporary Turkish painting art. (Yayınlanmamış Yüksek Lisans Tezi). Necmettin Erbakan Üniversitesi, Sosyal Bilimler Enstitüsü, Resim Anabilim Dalı, Konya.
