İnanç, Mimarlık ve Algı Üzerine Mülahazalar
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Tarih
2017
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
İster mitler ister dinler aracılığıyla olsun, inanç, tarih boyunca sanat vasıtasıyla kendi algısını yaratmak istemiş, bunu yaparken de muhatabında kalıcı bir etki bırakmak için dolaylı (simgesel) bir anlatım tarzını kullanmıştır. İçerisinde kutsalın izlerini taşıyan her mimari eser, imgeden nesneye dönüşme sürecinde kolektif bir algının ürünü olarak ortaya çıkmış ve kendi çağının dünya görüşünün tezahürü olmuştur. Makalede; mimari özelinde, bir sanat eserinin imgeden nesneye dönüşme süreci ve kutsal kavramının mimari ile olan ilişkisi, doğu-batı eksenli olarak ele alınmış, bununla birlikte metinde kronolojik bir sıra takip edilmemiş ve metin, savunulan düşünceler odaklı bir seyir izlemiştir. Makalede ayrıca, geçmişin düşünce ve muhayyile gücünden yoksun olan günümüz İslam Dünyası'nın mimari faaliyetleri, koruma anlayışı ve yorumlama problemleri, konu dâhilinde irdelenmeye çalışılmıştır.
Belief wanted to create its own perception over myths or religion by using art throughout history. While it was doing that, it employed a symbolic (indirect) way to imress its answerer. Every architectural work that carries trace of divine, emerged as a product of a collective perception during its process from image to object, and it became an appearance of its own age's world-view. In this article, a work of art's transformation process from image to object in architectural perspective, and the relationship between holy concept and architecture were studied. It was approached in east-west axes. However a chronological order wasn't followed in the text, and it was focused the ideas that are defended. Besides that today's Islam World's architectural activities that are deprived of idea and imagination of past, its protection concept and interpretation problems were examined in matter of subject.
Belief wanted to create its own perception over myths or religion by using art throughout history. While it was doing that, it employed a symbolic (indirect) way to imress its answerer. Every architectural work that carries trace of divine, emerged as a product of a collective perception during its process from image to object, and it became an appearance of its own age's world-view. In this article, a work of art's transformation process from image to object in architectural perspective, and the relationship between holy concept and architecture were studied. It was approached in east-west axes. However a chronological order wasn't followed in the text, and it was focused the ideas that are defended. Besides that today's Islam World's architectural activities that are deprived of idea and imagination of past, its protection concept and interpretation problems were examined in matter of subject.
Açıklama
Anahtar Kelimeler
İnanç, Mitoloji, Mimari, Göstergebilim, Algı, Belief, Religion, Mythology, Architecture, Semiotics, Perception
Kaynak
Eskişehir Osmangazi Üniversitesi Sosyal Bilimler Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
18
Sayı
2
Künye
Yılmaz, M. (2017). İnanç, Mimarlık ve Algı Üzerine Mülahazalar. Eskişehir Osmangazi Üniversitesi Sosyal Bilimler Dergisi, 18, 2, 67-92.
